I just read
HARVEY KURTZMAN THE MAN WHO CREATED MAD AND REVOLUTIONIZED HUMOR IN AMERICA by Bill Schelly.
The title
tells the meat of the whole book. Harvey
Kurtzman created MAD comic book. Harvey
was an editor for EC Comics creating war stories when, to make more money, with
the owner Bill Gaines' approval created MAD.
After MAD built it own momentum with a big circulation the Comic Code
was formed to restrict comic books' press liberties, and of course, for the
sake of not warping children, Kurtzman talked Gaines into making MAD a
magazine, which he did and it became even more successful. But it still had a select audience. Then Kurtzman demanded 51% of the MAD stocks
and Gaines fired him.
He and
Gaines held ill feelings for each other for many years afterwards, but came
around speaking finally.
At one time
before the breakup Bill Gaines was a regular guest at the Kurtzmans' house.
When Bill
Gaines fired Kurtzman he rehired his horror comic book editor Al Feldstein to
take Kurtzman's place. Feldstein
redirected the readership from sophisticated some college to preteen. The increase in sales was huge.
In the
meantime Kurtzman started TRUMP Magazine, published by PLAYBOY, much like his
MAD Magazine in sophistication but it lasted only two issues . Too much meddling from the mother publishing
company.
Then he
started HUMBUG, which all the artists were owners and it took all their savings
so they hung it up after eleven issues.
Then HELP
Magazine published by Warren Publishing.
It never made a go either.
Harvey
Kurtzman's brand of humor was just too unique for the masses to catch on.
His last
bread and butter was Annie Fannie in PLAYBOY, which kept his and artist Will
Elder's families fed but they never got wealthy over their artsy enterprises.
One reoccurring theme, or weakness, throughout the book was that Harvey was a perfectionist. Which he often did not make deadlines, which were costly.
Also, late in his life he took on a new career of teaching comic booking at a New York art school. His classes were the star of the school, most of the time packed.
One reoccurring theme, or weakness, throughout the book was that Harvey was a perfectionist. Which he often did not make deadlines, which were costly.
Also, late in his life he took on a new career of teaching comic booking at a New York art school. His classes were the star of the school, most of the time packed.
It is a good
book telling much behind the scene details of the business end of comic
publishing and how Kurtzman and his close band made sacrifices to keep their
humor alive.
Underground
artists give Kurtzman credit for being the father of Underground Comix which
typically Harvey said he demanded a blood test.
He suffered
from Parkinson's disease which finally brought him down.
Harvey
Kurtzman was my hero.
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